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TEGUCIGULPA, Honduras – Comunicaciones Mango BTL (Mango) recently added an Allen Heath iLive digital mixing system to its rental stock, which includes Electro-Voice PA and D.A.S. PA line array gear. The AV rental company provides event management services for a client list that includes Unilever, Pepsico, Tigo, Bimbo and Cerveceria Hondureña.
We started using digital consoles three years ago and we love the flexibility digital gives us as we can carry less equipment. Recently we decided to invest in a digital console with at least 48 channel capacity, said Mango's Andre Ferrer, adding that a demo of the iLive-T system by Allen Heath's distributor, All Music Corp., led to the decision. We decided iLive was the right choice due to the flexible digital snake and easy learning curve.

Source: The Making Of “Sympathy For The Devil”

For those of you who watched the Grammy Awards on Sunday night (and apparently there were more of you this year than any year since 2004), you may have had a feeling of déjà vu when you saw virtually the same group of stars that clustered together in 2009, 2008, etc. Does this perhaps remind you — at least a little — of the 1993 film Groundhog Day? You know, like Bill Murray’s character hearing “I Got You Babe” every morning?

Now, if you happen to want to hear the same song at the same time every day, that’s fine with us. But sometimes it’s fun to let the needle find a new groove.

A conversation with Producer/Engineer Joe Chiccarelli, who first landed a job as an assistant engineer at Cherokee Studios and soon found himself engineering Frank Zappa on “Sheik Yerbouti” and “Joe’s Garage Acts I, II & III” in 1979, and who has gone on to work with a tremendously diverse group of artists. An excerpt from Howard Massey’s “Behind The Glass Volume II,” which features more than 40 all-new, exclusive in-depth interviews with many of the world’s top producers and engineers.

Source: Behind The Glass: Producer/Engineer Joe Chiccarelli On Being A Sonic “Chameleon”

TRIANON, Mauritius – Northwind Recording, based in Durban, South Africa, chose EAW loudspeakers for the CTMI Church here. Northwind also provided the system design, analyzed the space's acoustics and performed the installation. EAW's South African distributor Surgesound supplied the equipment and managed all processing and system alignment.
Further consultation was provided by EAW's Whitinsville, Mass.-based Application Support Group (ASG), under the management of Joe Fustolo.

EAW loudspeakers selected for the space included 15 EAW AX366 and AX344 Arrayable Install Loudspeakers, six EAW JF50S Compact Full-Range Loudspeakers, eight EAW SB1000z Large Format Subwoofers, five EAW MW12 MicroWedge Stage Monitors and two EAW UX8800 Digital Signal Processors.

Source: The Making Of “Sympathy For The Devil”

For those of you who watched the Grammy Awards on Sunday night (and apparently there were more of you this year than any year since 2004), you may have had a feeling of déjà vu when you saw virtually the same group of stars that clustered together in 2009, 2008, etc. Does this perhaps remind you — at least a little — of the 1993 film Groundhog Day? You know, like Bill Murray’s character hearing “I Got You Babe” every morning?

Now, if you happen to want to hear the same song at the same time every day, that’s fine with us. But sometimes it’s fun to let the needle find a new groove.

EAW AX Series models are arranged in a low-profile, aesthetically pleasing design in two arcs following the contour of the church

Source: South Africa-Based Northwind Recording Selects EAW Loudspeakers For CTMI Church